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Senator Hotel, Atlantic City, 1948. Photographed by Nina Leen
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fawndeviney:

Fawn DeViney for Dogwood Floral 
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"   We are earth people on a spiritual journey to the stars. Our quest, our earth walk, is to look within, to know who we are, to see that we are connected to all things, that there is no separation, only in the mind.   "
-Lakota Seer
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isawatree:

Wembury Beach by Kieron Foster
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Celestial clockwork globe. 1579, Vienna, Austria, Met Museum
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pleoros:

William Christenberry - Building with False Brick Siding, Warsaw, Alabama, 1974, 1982, 1994.
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artdetails:

Sandro Botticelli, Idealized Portrait of a Lady, 1480
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showstudio:

Dior couture label in a polka-dot day dress from spring/summer 1959, when Yves Saint Laurent headed the house.
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porn4ladies:

Naked cooking (32)
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danielodowd:

flaherty
"   I think their primary prejudice is, Why does it have to take seven minutes to sing “I love you,” or five minutes to sing “I’m dying now”? I always say, “But that’s extremely fast.” Not in realistic terms, of course. But if you go to opera and expect realism, you’re really stupid. It’s not realism, obviously - even if we build a realistic set. Trying to express yourself about love in five minutes is fast. It can take two years to say that or to even understand that. Saying “I’m dying” in seven minutes is fast. Thinking about death occupies people from puberty through the rest of our lives. It’s the biggest existential question there is. But to express yourself about the feeling of dying, or the anxiety of dying, in seven minutes is actually pretty fast. My point is, in one evening, you go through in two and one-half hours what the rest of us spend our whole emotional lives living through. (…) It’s a workout, intense and focused - if you look for the emotional dimension and not the realistic one. Opera tries to show life as it is, not as it looks. (…) The reason it seems long is that we spend time on what’s important in life. When you look at your life, what’s going to define what it was? Not the everyday business, but the emotional highlights, disasters, or triumphs you had. That’s what we focus on in opera. and that’s because we have music.   "
-Kasper Bech Holten (director of the Danish Royal Opera) answering the question “Do you think your average spectators have difficulty investing themselves emotionally?” in Joshua Jampol’s book Living Opera